The Good Place

The Good Place explores the complexity of flawed human nature in the form of a light-hearted, fun comedy with a positive underlying moral message. The comedic, laugh-out-loud one-liners are plentiful, and compliment the suprisingly upbeat nature of the show, despite its subject matter becoming increasingly dark over time. The almost caricature-like quality about the characters also works well in the context of the show, staying consistent with the often farcical nature of its comedy.

The Good Place cleverly decieves the audience for much of season one, with only slight clues that something is amiss in the idealistic and serene setting of the show, and carries off this sudden alteration of narrative well in season two, maintaining an entertaining and ‘fresh’ feeling to the content despite many of the scenes being repeated multiple times. The twist at the end of season one also creates an interesting viewing experience in being able to revisit the first season’s episodes and interpreting them in a completely different light, noticing that many of the things Michael does and says, which are disguised as helping the characters, are actually deliberately to their detriment.

Additionally, the work of several philosophers is implemented into the writing seamlessly, and allows room for a more intellectual interpretation of the moral spectrum portrayed in the show to be explored. However, this is done in a simplified way so the viewer is easily able to enjoy the show on a purely comedic basis as well, while still understanding the general moral points conveyed.

Furthermore, the cast is commendably diverse in gender, age, and racial background, and easily passes the Betchdel test. Unfortunately there is little explicitly stated LGBTQ+ representation in the show, although it is hinted throughout both seasons that Eleanor, the main protagonist, may not be completely straight. It is also notable that the dynamic shown between Eleanor’s friends before she died does seem a little cliché for the on-screen negative representation of female friendship. Nevertheless, again this ties into the characters seeming quite caricature-like rather than completely realistic, and her friendship with Tahani after death does seem to have a more substancial basis over time, which largely redeems this point for me.

Overall, I think The Good Place is a cleverly done comedy with a fresh concept, and is enjoyable, easy viewing.

Rating: 4/5